BLURB:
"Something’s
cooking in more than the kitchen…
Tess Banyon is a
‘Martha Stewart’ type of
homemaker-guru-marketing-entrepreneur-extraordinaire. Investigative journalist, Josh Farraday is
determined to convince the women of America that Tess is too good to be true.
He’s right.
Tess is a
marvelous marketer with tons of ideas, but she can’t really cook and has been
known to attach herself to a grapevine wreath with her glue gun. Now she’s doing her own TV show, and Josh has
been assigned to do a behind-the-scenes story."
~~~~~~~~~~~~~
EXCERPT:
She stood frozen for a
minute before she said faintly, “What do you think you’re doing?”
At the same time, Josh
jerked back the curtain that encircled the claw-footed antique bathtub. Hands
clenched on the divided curtain, his eyes widened to the size of half-dollars,
and his jaw practically dropped to his chest as he stared at her for a long moment.
“Am I missing something
here?”
Tess studied the length of
his body, coming to rest on his most volatile piece of male equipment. “Nope,
all there,” she said, “every inch.”
He laughed. “That’s a
relief.”
Her heart was pounding with
a staccato fury, and for a moment she felt like she’d melt. He was gorgeous.
“What are you doing in my bathroom?”
Josh swiped his hands down
his body to shed the excess water, then stepped out of the tub onto the
bathmat. He reached for the towel hanging on a rack. Lazily, he wrapped the
terrycloth around his waist, tucking the end in. He smiled. “You said the door
right at the top of the stairs.”
“I said turn right at the
top of the stairs.”
“Oh, turn right.” He
grinned. “I thought you were being a bit forward.”
“Were you snooping in my
bedroom?” she asked, amazed at the thought.
He nodded toward the door.
“Are you sure that’s your room? It looks like a stage set. There’s nothing
personal to identify you in there. No mementos, nothing. I found that
disappointing, considering your skills.”
“You admit it? You were
looking through my room?”
“Only on the way to the
bathroom.”
“I don’t believe you,” she
said, punctuating her words by poking her finger into his chest. “You’re a
low-down snoop, that’s what you are.”
“A snoop? A reporter being
called a snoop? Surely not.”
His chuckle was infectious,
but Tess wasn’t buying it. She was red-faced and perspiring, although that
could have been from the heat and moisture in the room, not because she was
more embarrassed than she’d ever been in her entire life, or wanted to rip the
towel from his hips.
INTERVIEW:
- Where did you get the idea for
the novel?
I’ve
worked as a producer, art director and food stylist on a number of ‘how-to’
cooking show for television networks. It
was a great experience. I learned a lot
about food, making food look yummy, the backstage production that make the
on-camera experience look seamless and the different process used to create
each recipe and segment. I also learned
how a person who was not a chef could fake it to appear as if she was one. As the world’s not greatest chef myself, I thought
it would be funny to create a character who was brilliant at originating ideas,
but couldn’t cook her way out of a paper bag.
So Tess was created. Then naturally I needed a hero—enter Josh, an
investigative reporter determined to discover if this woman was as good as
everyone thought she was..
- Your title. Who came up with
it? Did you ever change your title?
I
came up with the title. I thought
“Something’s Cooking” applied to the basic story line as well as the romantic
attraction between Tess and Josh. Titles
are often collaborations with me and an editor.
Sometimes you can keep the one you have and at other times it is changed
for audience appeal and understanding.
One of the ones that struck a nerve was a book I did for Harlequin,
“Million Dollar Stud.” The original
title was changed to MDS and It actually worked for the story as the stud in
question was two-fold: the Hero, and a
racehorse he is training. But, the title
still makes me cringe. LOL
- Why did you pick this genre?
What do you like about it?
It’s
happy. I am able to use my writing
strengths—dialogue and characterization, which stems from my theatre
background. Romance and romantic comedy
offers entertainment to the audience and it is a lot of fun to come up with
‘fantasy within reality’ storylines. It’s genre fiction, meaning that it is
easy to broadly categorize for the reader as genre fiction comes with certain
expectations that the work must fulfill.
Every genre has their own, ie. mystery has a crime, clues and final
justice, while romance has at it’s heart a conflict between a hero and heroine
that is eventually resolved in a happy ending.
What makes it fun to write is the freedom you have to get to the end,
while still staying in the genre needs.
Besides, it makes me happy.
- Since becoming a writer, what’s
the most exciting thing to ever happen to you?
This
is a hard one to answer. Writing has not changed my life, but it has changed
the way I look at things in some ways.
It has increased my observation skills and my interest in and assessment
of people (yes the redheaded person at the next table is actually listening to
your conversation.) I am always excited
when a reader says, I loved your book and I ask why and they can tell me. I write to entertain and to touch people. So writing gives me a way to touch the life
of a broad spectrum of persons in a way I might not have previously had.
- What book are you currently
reading or what was the last book you read?
I’m
currently rereading “All Things Bright and Beautiful” by James Herriot, the
experiences of a vet in Yorkshire during the late 1930’s and 40’s. His way with description and with
characterization is wonderful. He writes
with humor, understanding and compassion.
- What is your writing process?
Basically
I put my butt in the chair and start writing and then make myself stay there,
but generally staying is not so hard because I get involved with the story. I set goals for myself including amount of
work done per day, week, etc. and I always set a deadline date for
completion. I’m used to working with
deadlines so this makes sense for me. I
generally have a good idea of the basic characterization and where I want the
story to go, but I’m not always sure how I can get there. I always have the beginning and the end in
mind when I start so I know where I have to end up. My process changes with each book. With some I do more active notes and plot
points, but I never never outline the book besides a sentence jotted to jolt my
mind into the story progression. I also
don’t fill out charts, etc. I do look at
screenplay structure and apply the highlight plot points to my story. I identify the interior and exterior things
that drive each character’s action. After
I get the book done I go back and look for obvious holes to fix. BUT, the truth is, generally the characters
take over and I end up going where they want me to go.
- At a book signing, do you just
sign your name or do you write a note? How do you come up with stuff to
say?
I
do both depending on the situation.
Often I do a standard greeting, such as ‘Enjoy,’ or ‘Enjoy and if you
don’t, don’t tell me.’ J When needs to be personalized I ask the
reader for suggestions, or falling back I do something related to the
book. For “Something’s Cooking” it might
be. “Hope you cook better than Tess.”
- What is something people would
be surprised to know about you?
I
can be shy at times, and I always think people won’t look at me and remember
who I am.
- How do you react to a bad
review?
First I get pissed off and sad, and then I remind myself that it
is only one person’s opinion so take it with a grain of salt. Most of the time I don’t read them or I read
them very quickly and dismiss them. I have enough things to cause me stress—why
add more?
- How did you celebrate the
sale of your first book?
I met with my critique group
at the time and had a little celebration with cake and toasts. And then my
daughter made me go to a bookstore for a picture standing besides the book on
the shelf. The bookseller was a bit
surprised, but we felt great!
~~~~~~~~~~~~~
AUTHOR Bio and Links:
Meg has a BFA and MA in
theatre, acting and directing, and a minor in Fine Arts and Promotion. Over the years, Meg has been an actress,
director, producer, creative director, CEO, copywriter, creative dramatics
teacher, mime, mom, college instructor, and a school bus driver. She’s established two creative
marketing/media companies, working as a V.P. and as CEO, creating projects in
all media: network cable programming to corporate initiatives; to video, games
and interactive websites. Meg is published with Harlequin, Imajinn Books,
Samhain Publishing and now Entangled Publishing. Learn more about Meg and her
books on her website or at any online bookstore. Look for her new books, Something’s Cooking
from Entangled Publishing, 8/13; The Sparrow and the Hawk, out now. The Sparrow and the Vixens Three, 11/13, and
Million Dollar Mistake, 9/13.
Twitter: @MegLaceyBooks
GIVEAWAY:
Meg will be awarding a Jamberry
Nails set (with a watermelon motif) and a colorful watermelon knife
as well as a Room Scent Warmer from 'For Every Home' along with apple pie scent
cubes to a randomly drawn commenter during the tour.
The more you comment, the better your chances of winning. The
tour dates can be found here:
Hi everyone. Thanks so much for letting me tell you something about myself today. I hope you will have as much fun with "Something's Cooking" as I had writing it.
ReplyDeleteMeg Lacey
Thanks for the awesome giveaway and info on a good lookin read! kamclauc AT gmail DOT com
ReplyDeleteInformative interview
ReplyDeletebn100candg at hotmail dot com
Great interview!
ReplyDeleteThanks for the chance to win!
natasha_donohoo_8 at hotmail dot com