BLURB:
“More fun
than a sex party!”
— Barbette
Long before
Ru Paul eyed his first pair of six inch
stilettos or Boy George donned his colorful caftan, a handsome young man from
the small town of Round Rock, Texas barnstormed the stages of Europe’s most
lavish theaters and night clubs as Barbette, a beautiful aerialist drag queen
who became a scandalous sensation throughout the Roaring Twenties.
Performing
his erotic, high wire and trapeze routine in lavish, feminine regalia, Barbette
shocked audiences by revealing the true nature of his gender at the very end of
his act.
From a
child who picked cotton and walked his mother’s clothes line to headlining at
the Moulin Rouge in spectacular drag,
Wildflower reveals long-forgotten secrets of this enigmatic performer:
his arrest in London on morals charges, his bout with polio, his infamous
collaborations with some of Hollywood’s greatest stars— Orson Welles, Vincente
Minnelli, and Judy Garland, Jack Lemmon, and Tony Curtis as well as his hidden
affair with French surrealist Jean
Cocteau.
Wildflower
captivates with every page, dramatically revealing the startling and at times
heart-breaking story of Round Rock’s first and greatest drag queen.
INTERVIEW:
1.
Where did you get the idea for the novel?
I came across an item in the local Round Rock paper
about Barbette, this drag queen who grew up in the town. (I happen to have a
residence there.) I kept on mulling over what must have it been like for this
kid who picked cotton to become a scandalous drag sensation in Europe during
the Roaring Twenties. The whole persona
of Barbette was almost mythological to me.
I had this idea to run a parallel story of a teenager in present day and
juxtapose it with the story of Barbette.
But after I researched more about Barbette at the Round Rock Library, I
completely changed the direction of the book, only featuring this enigmatic
drag queen.
2.
Your title. Who came up with it? Did you ever change your
title?
Is it the longest title in printed history? Haha! I think ‘wildflower’ as a word perfectly symbolizes
Barbette, whose real name was Vander Clyde Broadway. Somehow he managed to
bloom in this extraordinary way no matter his life circumstances. The rest of the title was my own revenge on
people who like to think Round Rock doesn’t have gay people residing there. In
fact, Round Rock is the childhood home of the most
sensational drag queen of the twentieth century. But Round Rock is coming around. Last year, as a part of the town’s
anniversary celebration, they had a ‘Barbette Run’—a drag race—if you will. So
things change and people have a sense of humor.
3.
Why did you pick this genre? What do you like about it?
All three Kyle Taylor novels have some sort of
historical aspect to them. I think the
Kyle Taylor reader is someone who enjoys an engaging story set within a unique
historical context. For Wildflower in
particular, it was a total challenge. I grappled with writing a Seabiscuit type of book, but I decided I
could reveal Barbette’s life in a more vivid way in the historical fiction
genre.
Wildflower spans sixty years
of a man’s life. You have this built-in
story arc you want to be faithful to, but at the same time you are making
choices—what to put in and what to leave out, what to emphasize. It’s a bit
like conducting an orchestra. I have no
doubt, other writers could take Barbette’s story and tell it in a different
way. That’s the dynamic of this genre.
4.
Since becoming a writer, what’s the most exciting thing to
ever happen to you?
Hollywood called and said they wanted to make a movie
out of one of my books! Well, not really! So far, Kyle Taylor toils at his computer—all
guts, and no glory, I’m afraid.
5.
What book are you currently reading or what was the last
book you read?
Grisham’s Sycamore
Row. And I want to get Goodwin’s Bully Pulpit next.
6.
What is your writing process?
Wildflower was a bewitching
book to write. I thought I was in for a
much easier ride, but what I found was as I settled to write each event in
Barbette’s life, I had to research like mad to understand people, places and
events before I could move from my outline to writing the scene.
For example, I had to delve much more deeply in the
Parisian surrealist movement of the twenties.
I had to understand Jean Cocteau’s obsession with Barbette. I studied
Cocteau a great deal—the lovers he took during this time, his addictions, his
films and books. Barbette is woven into
Cocteau’s world. It was quite an education for me.
So I got into a routine—I would review my outline in
the afternoon, and research like crazy in the evening. If I felt confident
enough to complete the scene I would write in the morning or else I would keep
on researching. It was a yearlong
process from start to finish.
7. At a
book signing, do you just sign your name or do you write a note? How do you
come
up with
stuff to say?
Alas, I’ve never done a book
signing. Who knows, maybe this year in
Austin?
7.
What is something people would be surprised to know about
you?
Kyle Taylor is very private. I will say I feature cameos of my dog Winston,
in various forms, four-legged or human, in each novel.
8.
How do you react to a bad review?
Writing is a craft. I enjoy reading bad reviews because
I think they are instructive. They can reveal whole new viewpoints as an author
you don’t even think about. But I do feel sad if something I worked so hard on
for people to enjoy didn’t come off. Kind of takes the wind out of your sails!
9.
How did you celebrate the sale of your first book?
For Wildflower,
I took Winston out for a hotdog and ice cream at the Round Rock Sonic. He
demanded royalties!
EXCERPT:
With all his might, Vander swung the trapeze as high into
the air as he could tolerate, the muscles in his feet screaming out. As he
reached the apex, he released his feet, tucked into a tight ball and did a
backward somersault. In an instant, he was bouncing on the safety net, thrilled
by what he had just done!
Bobby Fuller
stuffed his cigar into his mouth and applauded loudly. Audrey too was impressed.
From the platform, she did a swan dive, turning onto her back at the right
instant for a soft landing on the safety net. She then walked over to where
Bobby and Vander were standing.
“Now, son, I
need you to be honest with me. You’re new to this aren’t you?” Bobby asked as
he stared intently at Vander.
“I did shows
in my back yard—on the wire. I’m good!” Vander said trying to sell himself. He
wanted more than anything to get back up to the trapeze.
“You a run
away?” Audrey asked with her hands on her hips.
“No. My momma
sent me off today on the train, from Round Rock.”
“He’s got
balance,” Audrey said. “It’ll take him time to train.”
“I’m a fast
learner! I even doubled up my studies and finished high school two years
early!”
Bobby rubbed
his chin. “We’ve only got a week, ten days tops, to get him trained. If we
don’t get this act back on track, they’ll can us and then where’ll we be?”
Audrey’s pale
blue eyes looked serious. “Did you see, how he moved his arms? He sure looks
the part. He’ll look sweet in a dress.”
Vander’s mouth
dropped. “A dress?”
Bobby Fuller
scowled, “The part’s for a female
trapeze artist. Didn’t y’all read the advertisement?”
“We’re the
Alfaretta Sisters!” Audrey
interjected. “World famous aerial queens.”
Vander Clyde
was trying to absorb what they were saying.
“He’s got a
good figure, not quite a man yet,” Audrey said looking over Vander’s body. “A
little taking in here and letting out there and Lydia’s costumes could fit.”
“You ever put
on a dress, boy?” Bobby asked. “It’s no big deal. Wouldn’t be the first time a
boy in a trapeze act did it.”
“You look
better in a dress, up on a trapeze,” Audrey encouraged. “More beautiful, the
dress flows, you know.”
Vander
remembered Miss Nelson told him all the actors during Shakespeare’s time were
men or boys and they played the female parts as well.
“Like Shakespeare, you mean the way the boys played the
girl’s parts?” Vander asked.
Bobby and
Audrey laughed.
“Yes, son, just like ol’ Will Shakespeare!” Bobby chuckled. “You’ll
get five dollars a week—no pay until we get the act back up. Deal?” Bobby
extended his hand.
Vander Clyde
couldn’t believe it was all happening so fast! He enthusiastically extended his
hand. “Deal!”
AUTHOR INFORMATION:
Kyle Taylor is the
author of Wildflower, Exposition and Billion Dollar Dreamer.
The Kyle Taylor character debuted in Billion
Dollar Dreamer as a journalist who was assigned to write a story
about high school history teacher cum overnight billionaire John
Driskil. He resides in New York—and of course he is a work of
fiction! You can contact Kyle at BillionDollarDreamer@gmail.com.
GIVEAWAY:
a $25 Amazon gift card to the commenter who leaves the best
question or comment
The more you comment, the better your
chances of winning. The tour dates can be found here: http://goddessfishpromotions.blogspot.com/2014/04/virtual-book-tour-wildflower-by-alan.html
Thanks for hosting!
ReplyDeleteI enjoyed the interview, thank you.
ReplyDeleteKit3247(at)aol(dot)com
What a fascinating story. It sounds great.
ReplyDeleteThanks Rita and MomJane!!
ReplyDeleteThank you so much for hosting me today. Sorry I haven't written sooner, it has been a zany day! Fans, feel free to ask me interesting questions. I'll do my best to answer them!
ReplyDeleteWhat would Barbette buy first with a jackpot winning?
ReplyDeletebn100candg at hotmail dot com
When he was performing, it seems that he was quite the drag queen clothes horse. He noted he traveled with 28 trunks, a maid and a maid for the maid. My book cover features a poster costume designer Charles Gesmar did for Barbette. Gesmar dressed all the night club divas of his day -- think lots of feathers!!! -- anyway, I bet Barbette would get that full-length peacock feather cape he always had his eye on! haha!
DeleteWith a last name like Broadway, do you think it's inevitable that he became a performer?
ReplyDeleteTrix, vitajex(at)Aol(Dot)com